Every revenge story starts somewhere. We Got Got (Website) begins at an end-of-year business productivity review packed with enough corporate buzzwords to make you subconsciously want to update your LinkedIn profile. The opening establishes the tone immediately: fast, self-aware, and fully committed to the idea of “boldly going where no theater major has gone before… profit!” From […]

Opera and hockey are not two genres I naturally expected to see collide at Fringe. Add parody, romance, and enough innuendo to make the penalty box feel personally attacked, and somehow Heated Ribaldry: An Opera of Musical Proportions (Website) makes a surprisingly convincing case that perhaps they always belonged together. Just like the hit book series and […]

Diane Jorge returns to Orlando Fringe with Solovela, An Improvised Solo Telenovela (Website), and honestly, the title tells you almost everything you need to know. It’s a fully improvised one-woman telenovela assembled live from audience stories, which sounds almost impossible until Jorge pulls it off. After first seeing Jorge perform during Orlando Fringe’s 2026 Winter […]

Some shows at Fringe are weird almost by accident. POEMS FOR GOD (Website), but it knows exactly what it is doing. Victoria Watson Sepejak’s solo clown show is chaotic, confrontational, absurd, emotionally sincere, and completely committed to its own bizarreness. It tells the story of an angel who has been tasked with saving all women everywhere in […]

There’s something especially fitting about seeing a magic show at Fringe. In a festival built on experimentation and imagination, Keith Brown’s 110% Wizard (Website) feels perfectly at home. Brown, a familiar face to Orlando Fringe audiences and a three-time Critic’s Choice winner for Best Magic Show, returns with what he jokingly describes as the “same wizard, now […]